African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
189 p., This volume provides a basic introduction to the study of religion and theology in the Latino/a, Black, and Latin American contexts. Chapters include Latin American liberation theology -- Black liberation theology -- Latino/a theology: to liberate or not to liberate? -- African diaspora religion.
78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p, A history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Examines the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths.
