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    3. Looking back: what's in the cover?

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    Collection:
    Agricultural Communications Documentation Center (ACDC)
    Contributers:
    Spangler, holly (author)
    Format:
    Journal article
    Publication Date:
    2016-12
    Published:
    USA: Penton Agriculture, St. Charles, Illinois.
    Location:
    Agricultural Communications Documentation Center, Funk Library, University of Illinois Document Number: D07631
    Journal Title:
    Prairie Farmer
    Journal Title Details:
    188(12) : 28
    Notes:
    In the 175th anniversary issue of Prairie Farmer, this feature examines changes in the masthead from the 1850s to the 1990s.

    4. Paper sculpture gives fresh look to annual report

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    Collection:
    Agricultural Communications Documentation Center (ACDC)
    Format:
    Journal article
    Publication Date:
    2015-10-01
    Published:
    USA: Cooperative Communicators Association, Bellefonte, Pennsylvania.
    Location:
    Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 141 Document Number: D06339
    Journal Title:
    CCA Communique
    Journal Title Details:
    : 6-7
    Notes:
    About the ward-winning cover of an annual report.

    5. Photography and the rural press, 1880-1939

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    Collection:
    Agricultural Communications Documentation Center (ACDC)
    Contributers:
    Brown, Jonathan (author / Museum of English Rural Life, University of Reading)
    Format:
    Journal article
    Publication Date:
    2014
    Published:
    England
    Location:
    Agricultural Communications Documentation Center, Funk Library, University of Illinois Box: 201 Document Number: D11741
    Journal Title:
    Rural History
    Journal Title Details:
    25(2) : 223-241
    Notes:
    19 pages, Introduction of the half-tone photograph appeared during the 1800s in printed books and magazines in England, including those catering to farming and rural readership. Article considers the impact of new illustrated magazines and the demand for photographs for reproduction and gives some thought to how historians might profitably use these photographs as evidence.