Search

    Start Over Collection Gabriel Garcia Marquez (GGM)

    201. Gabriel García Márquez. Bloom's Biocritiques

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Harold Bloom
    Format:
    Secondary source, Books on Gabriel García Márquez
    Publication Date:
    c2006
    Published:
    Philadephia, PA : Chelsea House
    Location:
    Library, University of Illinois
    Related Item Details:
    129p.
    Notes:
    Edited and with an introduction by Harold Bloom. Contains a biography, a few essays by García Márquez himself, and an essay on magical realism by Gerald Martin.

    202. Las claves del mito en García Márquez (Title on cover: Del mito en García Márquez)

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    René Jara C. and Jaime Mejía Duque
    Format:
    Secondary source, Books on Gabriel García Márquez
    Publication Date:
    1972
    Published:
    Universidad Católica de Valparaíso, Chile : Ediciones Universitarias de Valparaíso
    Location:
    Library, University of Illinois
    Related Item Details:
    5 : 93p.
    Notes:
    The authors present myth as an effective instrument for giving perfection, sense and correctness to chaos, and they also humorize the brutal and tragic of a world, decaying without remedy.

    203. Fiction and reality in the works of Gabriel García Márquez. Orígenes del relato. Biblioteca de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Carmenza Kline
    Format:
    Secondary source, Books on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    Salamanca, Spain : Ediciones Universidad de Salamanca
    Location:
    Library, University of Illinois
    Related Item Details:
    23 : 211 p.
    Notes:
    Translated from the Spanish, Orígenes del relato. Includes bibliographical references.

    205. Expresiones liminales en la narrativa latinoamericana del siglo XX. Estrategias postmodernas y postcoloniales

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Alfonso de Toro and René Ceballos (eds.)
    Format:
    Secondary source, Books on Gabriel García Márquez
    Publication Date:
    2007
    Published:
    Hildensheim, Zürich, and New York : Georg Olms Verlag
    Location:
    Library, University of Illinois
    Related Item Details:
    297p.
    Notes:
    Includes the following relevant articles: "¿Descolonización de la historia? El caso de la novela histórica en la región norteandina" by Brigitte König pp. 51-72; and "¿Descolonización de la historia? El caso de la historiografía en la región norteandina" by Hans-Joachim König pp. 27-49.

    206. Gabo nació en caracas no en aracataca

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Juan Carlos Zapata
    Format:
    Secondary source, Books on Gabriel García Márquez
    Publication Date:
    2007
    Published:
    Caracas, Venezuela : Editorial Alfa
    Location:
    Library, University of Illinois
    Related Item Details:
    159 p.
    Notes:
    Zapata reminisces Gabriel García Márquez's life and works with a candid narrative of thirty-three years since he has been introduced to Marquez and his One Hundred Years of Solitude. It is illustrated with caricatures by Pancho, Zapata, Ras, and Ugo as well as pictures of distinctive facets of Márquez's life and covers of several of his works. There is also a drawing of "Remedios" done by Gabriel García Márquez himself.

    207. Caminata por la narrativa latinoamericana

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Seymour Menton
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    México DF, México : Universidad Veracruzana Fondo de Cultura Económica
    Location:
    Library, University of Illinois
    Related Item Details:
    34, 42, 45, 48-49, 52-53, 56-57, 59-62, 65, 9
    Notes:
    Menton rereads every book, article, review, notes and theses written since his first stay in Mexico in 1948-49 until the present for the purpose of finding the theoretical basis of his approaches to literature. His approaches to literature can be summed up in two words: "scrutiny" and "walking." Once he began this task, Menton realized that intrinsic reading is not always enough because it could not be done in a void. As much as a reader analyzes the form of a work with all the variety of technical resources, one has to place it into its sociopolitical context as well as the literary context.

    208. "The Oxford Companion to Fairy Tales"

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jack Zipes and ed
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2000
    Published:
    Oxford, UK : Oxford University Press
    Location:
    Library, University of Illinois
    Related Item Details:
    194, back cover
    Notes:
    "Under the editorial guidance of Jack Zipes, sixty-seven expert contributors from around the world have come together in this beautifully illustrated A-Z Companion to combine their insight and expertise to explore all aspects of the Western fairy-tale tradition. The result is a unique synthesis of knowledge, from Alice in Wonderland to Tom Thumb, from Gabriel García Márquez (p.194) to Louisa May Alcott, from Charles Perrault to Angela Carter, from Hans Christian Andersen to Disney, making this an authoritative and wide-ranging reference work, essential for anyone who values the tradition of storytelling." -back cover.

    209. "Solitude, Signs, and Power in The General in His Labyrinth," The Cult of Bolívar in Latin American Literature

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Christopher B Conway
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Gainesville, FL : University Press of Florida
    Location:
    Library, University of Illinois
    Related Item Details:
    124-150
    Notes:
    "In the light, The General in His Labyrinth (1983) may be read as yet another variation on the theme of solitary, powerful men whose separation from reality leads to the fracturing of the self, historical agency, and the promise of solidarity."

    210. Kuba: Politik Wirtschaft Kultur Heute

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Herausgegeben von Ottmar Ette and Martin Franzbach
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2001
    Published:
    Frankfurt, Germany : Vervuert
    Location:
    Library, University of Illinois
    Related Item Details:
    239, 284, 430, 600
    Notes:
    This work contains fundamental information for geography and town development, politics and society, economics and culture of today's Cuba. It treats numerous aspects apart from the current economic crisis and the relationship to Europe and the USA: tourism, housing and sexual politics, the myth of the revolution and the role of the political opposition, language, literature, film, music, painting and philosophy. The mixture of background information and Cuban history and culture, from the 20th century and articles to the direct present, makes this an equally useful manual today for specialists and aficionados alike.

    211. "Translating García Márquez, or, The Impossible Dream," Voice-overs: Translation and Latin American Literature

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Gerald Martin, Daniel Balderston, Marcy E. Schwartz, and eds
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    Albany, NY : State University of New York Press
    Location:
    Library, University of Illinois
    Related Item Details:
    156-163
    Notes:
    A multidimensional exploration of the translation of Latin American literature into English, a process that is anchored in the region's colonial past and its post-independence process of developing and redefining cultural identities. In the first part, Latin American writers discuss translation, followed by translators who comment on their work in the second part. Critical approaches are discussed in the final section.

    212. Crítica práctica

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Roberto González Echeverría
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    México DF, México : Fondo de Cultura Económica
    Location:
    Library, University of Illinois
    Related Item Details:
    17, 24-29, 43, 73, 115, 130-146, 233
    Notes:
    González Echeverría compiles in Crítica Práctica/Práctica Crítica a brilliant set of essays, scattered before in diverse, specialized mediums, to comment with a broader audience the origins and horizons of narrative works represented in the Latin American world: Gabriel García Márquez, Jorge Luis Borges, Alejo Carpentier, and Severo Sarduy, who give a temperate and universal voice to our continent. González Echeverría concentrates on the creative zones specific to those authors to discern aspects that up until now have rarely been analyzed.

    213. "Gabriel García Márquez," The Paris Review: Latin American Writers at Work

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    George Plimpton and ed
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    New York, NY : The Modern Library
    Location:
    Library, University of Illinois
    Related Item Details:
    127-180
    Notes:
    "The fourth book in the Modern Library's Paris Review Writers at Work series, Latin American Writers at Work is a thundering collection of interviews with some of the most important and acclaimed Latin American writers of our time. These fascinating conversations were compiled from the annals of The Paris Review and include a new, lyrical intro by Nobel Prize-winning author Derek Walcott." Includes biographical information, interviews, and an article by Silvana Paternostro called "Three Days with Gabo."

    214. Shipwreck and Deliverance: Politics, Culture and Modernity in the Works of Octavio Paz, Gabriel García Márquez and Mario Vargas Llosa

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Todd Oakley Lutes
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Lanham, MD : University Press of America
    Location:
    Library, University of Illinois
    Related Item Details:
    3, 55, 66-67, 70, 73, 78-86, 93-94, 96n18, 99
    Notes:
    Throughout this work there are references to the above authors, specifically to Octavio Paz, Gabriel García Márquez and Mario Vargas Llosa. This study, previously published as a doctoral dissertation, is concerned with the political theory of modernity in the work of Latin American writers and thinkers. Lutes affirms that the writers' central insights point to the need to assimilate tradition through a democratic dialogue combined with critical appreciation for the cultural uniqueness of nations.

    215. "Cien años de soledad, El otoño del patriarca, El amor en los tiempos del cólera. Gabriel García Márquez," Juicios de residencia: Una novela colombiana, 1934-1985

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Álvaro Pineda Botero
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2001
    Published:
    Medellín, Colombia : Fondo Editorial Universidad EAFIT
    Location:
    Library, University of Illinois
    Related Item Details:
    193-216, 231-240, 271-282
    Notes:
    Pineda Botero provides an interpretation of author and reader in One Hundred Years of Solitude, and analyzes the role of Melquíades as protagonist, writer and prophet; meanwhile, Aureliano represents the reader.

    216. El mito bolivariano en la literatura latinoamericana: Aproximaciones

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Ana Cecilia Ojeda Avellaneda
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    Bucaramanga, Colombia : Universidad Industrial de Santander
    Location:
    Library, University of Illinois
    Related Item Details:
    15, 233, 267, 272, 273, 275, 276, 342, 357, 3
    Notes:
    Through Gabriel García Márquez's writings, specifically El general en su laberinto, the author attempts to facilitate the reader's understanding of who Simon Bolívar was.

    217. UXL Hispanic American Biography

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Sonia G. Benson, Rob Nagel, Sharon Rose, and eds
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Detroit, MI : Thomson
    Location:
    Library, University of Illinois
    Related Item Details:
    110-113
    Notes:
    Brief biography of Gabriel García Márquez intended for juvenile literature.

    218. "Los mitos de Cthulhu," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Roberto Bolaño
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    22-33
    Notes:
    Bolaño narrates how he read an interview with a prestigious and renown Latin American writer. In the interview the author is told to name three people he admires. The author responds: Nelson Mandela, Gabriel García Márquez and Mario Vargas Llosa. Bolaño continues to write about other Latin American authors.

    219. "Opiniones de un lector," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Santiago Gamboa
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    75-81
    Notes:
    Gamboa expresses his opinions on magic realism, how it has developed, and how it has been taken in by the youth. He notes the importance of Gabriel García Márquez in revolutionizing with magic realism as a literary form, as well as the significance of his most important followers, for example, Isabel Allende.

    220. "Herencia, ruptura y desencanto," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jorge Franco
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    38-46
    Notes:
    Franco writes on how the new generation of Latin American authors have been influenced by the greats such as Gabriel García Márquez, Julio Cortázar, Octavio Paz and José Donoso.

    221. "Epílogo: Para otra posible "Salutación del optimista,"" Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Pere Gimferrer
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    225-227
    Notes:
    Starting in 1967, an industrial editorial center and sociological alternative to Franco-based Madrid, is produced in Barcelona. A flourishing cultural movement that attracts renown authors from Latin America, some of whom establish their residency in this city. Others will receive the Premio Biblioteca Breve, and others will link themselves to Seix Barral. Amongst the authors to establish residency in Madrid is Gabriel García Márquez.

    222. "McOndo y el crack: Dos experiencias grupales," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Ignacio Padilla
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    136-139
    Notes:
    In his passion to analyze what he believes is a substantial period for writing, Padilla produces a story about crack in three-and-a-half chapters, as well as a long essay against magical realism which he has no intention to publish. Padilla continues to analyze how this manifestation of crack and McOndo came about.

    223. "El fin de la narrativa latinoamericana," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jorge Volpi
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    206- 219
    Notes:
    Volpi analyzes the boom in Latin American literature, presenting the most reknown writers: Cortázar, Fuentes, Vargas Llosa, and García Márquez, among others. Also published in Revista de Crítica Literaria Latinoamericana vol. 30 no. 59 Jan-June 2004 pg. 33-42.

    224. "Fuerzas centrífugas y centrípetas," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Mario Mendoza
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    123-127
    Notes:
    Mendoza mentions Vargas Llosa's book García Márquez: Historia de un deicidio, in which Vargas Llosa analyzes García Márquez's development of the forces which drove him to write and to create Macondo.

    225. "No quiero que a mí me lean como a mis antepasados," Palabra de América

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Fernando Iwasaki
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Barcelona, Spain : Seix Barral
    Location:
    Library, University of Illinois
    Related Item Details:
    104-111
    Notes:
    Iwasaki strongly states his desire not to be compared with anybody and insists that no author wants to be compared to authors such as Vargas Llosa, García Márquez, Fuentes, and Cortázar, among others. In other words, today's authors will not be the same as these great artists from the past, and it is harder for new authors to become world-renown because of the expectations that they have to fulfill.

    226. "El poder y la gloria," Son así: Reportaje a nueve escritores latinoamericanos

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Eligio García
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    Bogotá, Colombia : Panamericana Editorial, Ancora Editores
    Location:
    Library, University of Illinois
    Related Item Details:
    89-122
    Notes:
    Previously published by Oveja Negra, 1982. "The majority of these fifteen articles with nine Latin American authors have been made in Europe in the last five years. Some are very old: for example, the article about the three days in which Mario Vargas Llosa experienced public harrassment in Bogotá is from 1967; Ernesto Sábato's encounter with Alejandra in Manzinales is from 1970S the chronicles on the solitude of glory of Gabriel García Márquez in Cartagena; and the awarding of his prize "Romulo Gallegos" in Caracas was from 1971-72. All try to show in the most reasonable way the private and public images of the primary contemporary Latin American writers."

    227. "La escritura poética de Gabriel García Márquez," Literatura Hispanoamericana del siglo XX: Mímesis e iconografía

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Begoña Souvirón López
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Málaga, Spain : Servicio de Publicaciones de la Universidad de Málaga
    Location:
    Library, University of Illinois
    Related Item Details:
    41-51
    Notes:
    Souvirón López discusses the influence of poetry on Gabriel García Márquez as an individual as well as on his writings.

    228. "Somatically Speaking: The Rhetoric of Disease Metaphors and Latin American Literature"

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    April D Marshall
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    March 2004
    Published:
    New York, NY : New York University
    Location:
    Library, University of Illinois
    Notes:
    "The purpose of this study is to explore the intersection of literature and illness in order to demonstrate that the disease metaphor is an effective trope for Latin American authors seeking to represent topics that have been culturally and historically pathologized in both national society and/or literature. It analyzes the way the rhetoric of the somatic for pathological was used at the end of the 19th century. It also traces the development of this rhetoric into the following century. The dissertation begins with an overview of general literary theory, dealing with an overview of general literary theory and with disease and representation, focusing on Susan Sontag, Julia Epstein and Sander Gilman. It offers a linguistic perspective on the functioning of metaphor as well. By bringing the ideas of medical historian, Charles Rosenberg, to bear on this linguistic discussion, the author defines the notion of the frame and framing. Frames can be understood as being parallel to the concept of the artist's convention; they are constructs that inform the perception of diseases as both a biological event and a social occurrence. Tuberculosis, cholera, and sexually transmitted diseases (AIDS in particular) are the illnesses central to this study. The Latin American writers: Abraham Valdelomar, Manuel Puig, Gabriel García Márquez and Reinaldo Arenas employ metaphors with these diseases in order to engage specific socio-historic material via frames. Each of the three chapters concentrates on a theme that has come to serve as the basis for framing the various diseases; (homo)sexuality, gender, modernization, totalitarianism and plague. These same themes have also been recognized by various literary critics as essential to thinking and problematizing the construction of Latin American identity."

    229. Twilight of the Hegemon: Images of the Dictator in the Novels of Carpentier, Roa Bastos, and García Márquez

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jaime Perez
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Long Beach, CA : California State University
    Location:
    Library, University of Illinois
    Notes:
    "The purpose of this study is to examine the image of the dictator in the literature of Latin America. The dictator, as he is depicted in the works of Alejo Carpentier, Augusto Roa Bastos, and Gabriel García Márquez, is a central archetypal icon who embodies the tragic history of anti-democratic rule in the Latin American republics. The dictator, however, also personifies the complexities and contradictions that come with military rule. The 3 authors seek to examine the dynamics of dictatorial power, but they also explore deeper psychological, aesthetic, historical, and philosophical problems surrounding the novel of the dictator."

    230. Aprobación y desaprobación del honor a la luz de la narratología: Estudio comparativo de

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Julie Schoenherr
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Ottawa, Canada : University of Ottawa
    Location:
    Library, University of Illinois
    Notes:
    "This thesis examines honour as a central theme in narrative passages of 'El alcalde de Zalamea' a seventeenth-century play by Spain's Pedro Calderon de la Barca, and in 'Cronica de una muerte anunciada' (1981), a short novel by Colombian Gabriel García Márquez. By means of a comparative study, and using narratology as the primary theoretical and methodological frame, this theme is explored through the analysis of both works at three different 'levels'; that of the characters, the narrators, and the implied authors with the intention of revealing the distinct contrast between the ideology expressed at all levels and, ultimately, at the level of the respective implied authors as the embodiment of the works' ideologies, in regards to honour as a socially-regulated code of conduct. An important portion of this analysis is dedicated to discussing the relationship between the fictional components of these works and their symbolic meaning in the external or 'real'/non-fictional world in connection with said ideology."

    231. Geographies of Power in Will Cather, Gabriel García Márquez, and Dorothy Allison

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Suzanne Angela Bergfalk
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Las Vegas, NV : University of Nevada
    Location:
    Library, University of Illinois
    Notes:
    "By redefining social or economic 'classes' as cultures, or as Raymond Williams explains, groups that share a 'structure of feeling' the dissertation defines power in accordance with the shared values, beliefs, attitudes, and practices defined by the culture of persistence and the culture of wealth. With culturally determined definitions of power in place, the dissertation argues for a broader understanding of female power as that power associated and wielded by female characters in the writings of Willa Carter, Gabriel García Márquez, and Dorothy Allison. Engaging the strategies of feminist geographies employed by critics including Doreen Massey, Gillian Rose, and the Women and Geography Study Group, the dissertation analyzes the methods by which female characters negotiate the places/spaces where they live, work, and travel, evaluating their relative successes or failures in accessing and wielding power. The three analytic chapters examine works by Cather - the novel 'The Song of the Lark', and the short story 'A Gold Slipper' García Márquez - the novel 'The Autumn of the Patriarch, and the short story 'The Trail of Your Blood in the Snow' form the collection of stories titled 'Strange Pilgrims,' and Allison - the novel 'Bastard out of Carolina,' and the short story 'I'm Working on My Charm' from the collection titled 'Trash' respectively. In order to magnify the power of the female characters in relation to the definition of power specifically determined by the character's culture, whether the culture of persistence or the culture of wealth. At the same time, the spaces/places/locations where the characters live, work, and move through are analyzed to produce an understanding of how the characters access and wield power. Finally, a stark contrast is established between the female characters created by Cather and Allison and those created by García Márquez, since Cather and Allison fully imagine female characters who are successful at accessing and wielding power in the spaces/places they live in, work in, and move through. In contrast García Márquez creates powerful women whose power functions only fully in microgeographies, and García Márquez ultimately destroys those characters, despite their access to power."

    232. Dictators, Directives, Tyranical Figures, and Cultural Discourse: Jorge Zalamea, Gabriel García Márquez, and Mario Vargas Llosa

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Peter Anthony Neissa
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Boston, MA : Boston College
    Location:
    Library, University of Illinois
    Notes:
    "This study focuses on how a dictator or a culturally dominant power can use language to impose cultural values. As an instrument of power, language is used by dictator to educate, induce, or manipulate a nation's citizens into acting in accordance with the ruling power's cultural values and beliefs. Jorge Zalamea in 'El Gran Burundún-Burundá ha muerto'(1951), Gabriel García Márquez in 'El otoño del patriarca' (1975), and Mario Vargas Llosa in 'La fiesta del Chivo' (2000), draw attention to how the use of vernacular can resist cultural imposition by employing culture-specific items in order to represent its own culture and nature of reality. When translated into a different language, culture-specific items created a conflict of meaning between the original text and the translated text. This discord arises because the translated reference no longer conveys its original message. The original significance has been substituted in the translated text for a new meaning determined by the dictator or translators ideology, usage, or the untranslable nature of the original words. These culturally loaded words are categorized into three areas of language defines relationships of power and resistance between a dictator and his nation, or between one culture and another, such as the United States over Latin American Culture. The analysis of culture-specific items presented in this dissertation will provide an understanding of how language functions as an instrument for the imposition to gain or maintain power in 'El Gran Burundú-Burundá ha muerto', 'El otoño del patriarca', and 'La fiesta del Chivo.' Culture-specific items also suggest how translators may substitute the values of the source culture in the original text for their own cultural biases when translating from Spanish to English."

    233. Violencia, raza, mito e historia en la literatura del Caribe colombiano

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Ligia S Aldna
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2003
    Published:
    Miami, FL : University of Miami
    Location:
    Library, University of Illinois
    Notes:
    "In this study, I explore how three texts from the Colombian Caribbean challenge the notion of a consolidated nation-state and its rhetoric of complete mestizaje, late into the 20th century. With 'Cien años de soledad' by Gabriel García Márquez as the backdrop of my analysis, I unveil the treatment of race, myth and history respectively in three novels, and how violence shapes the meanings of these categories. The first chapter focuses on 'Chambácu, corral de negros' (1967) by Manuel Zapata Olivella. In this chapter, I define this novel as a depository of the memory of slavery in Colombia that asserts an African heritage in the Northern Coast. At the aesthetic level, I discuss Zapata Olivella's use of a social realist narrative style to articulate the identity and history of Afro-Colombians. The second chapter examines Alvaro Ceped Samudio's 'La casa grande' (1962) to explore the strategies he employs to recover and revise the events of the massacre of the Banana Workers in 1928. In my reading, the massacre emerges as the first wound that causes the disarticulation of the consolidation process of the modern Colombian nation-state. The last chapter centers on 'Los Pañamanes' (1979) by Fanny Buitrago. I define the legend of the Spanish Man, the foundational legend of the island and the text's organizing element, as a myth of origins that delineates the novel's space as a product of violence and penetration. I establish the use of myth as anti-myth to separate and divide, and to mark the difference that separates the insular space and the continental nation-state. In my conclusion, I return to 'Cien años de soledad' to explore how processes of reception and canonization in the symbolic market are 'produced' following strategies derived from the failed encounter between cultural modernism and social modernization. I argue that this process consists in eliminating the discrepancy between these two aspects to attain an abstract state of modernity."

    234. The Central Importance of Temporality in the Fiction of Gabriel García Márquez

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Anthony Patterson
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Dominguez Hills, CA : California State University
    Location:
    Library, University of Illinois
    Notes:
    “There have been various interpretations of the work of García Márquez. However, no detailed study has been made of the huge significance of temporality to his art. This thesis argues that García Márquez’ novels are complex considerations of humankind’s relation to time, and that time is an inherent and constitutive property of the art and meaning of his texts. To demonstrate the validity of this proposition this thesis examines structure, strategy and thematic concern and their interrelation in relation to temporality. It is, thus, divided into five sections: a brief introductory contextualization of recent critical debate concerning the relationship between temporality and narrative; an analysis of the temporal structure of García Márquez’ most important novels and how this relates to the overall meaning of his specific consideration of the temporal narrative strategies that García Márquez adopts and why these are significant to an understanding of his work; an evaluation of temporal themes in García Márquez and their centrality to his work; and a concluding section which examines the interrelation between structure, strategy and theme to demonstrate the crucial importance of temporality to a comprehensive understanding of the fiction of García Márquez.”

    235. Speaking Time: Intersections of Literature and Chronosophy

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Veronica Browning
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Washington, DC : University of Washington
    Location:
    Library, University of Illinois
    Notes:
    "This dissertation takes a chronosophical approach to literary study, addressing the changing ways thinkers have chosen to articulate the nature of time, and examining in particular literary works which take on time as a theme. Chronosophy is not science; it does not belong to the arts; it is not religion. Ideas of time belong nowhere but infuse everything. In order even to say this, we must speak in time, as one word necessarily comes before another, reinforcing through language an idea of temporal linearity in which Einstein proclaimed to be an illusion, albeit our most persistent one. The achievement of a remove from which one might find understanding, and Archimedian view from nowhere, has been one of the greatest projects in the history of knowledge. This dissertation discusses literary attempts to find a view from nowhen. In tracing attempts to articulate and represent time, and how those efforts have informed shifting perceptions of time found in literary works, chapter one discusses patterns of chronosophical inquiry from ancient times to Dante, focusing in particular on those ides of time which survive today. Dante Alighieri mathematically encoded a discussion of temporal contingency and ineffability into the numeric structure of his Divine Comedy. Chapter two discusses his use of Pythagorean theories in his attempts as a finite mortal bound to temporal succession to articulate a literary representation of eternity. Chapter three discusses the impact of Einstein's Relativity theory under which simultaneity in time can no longer exist, during period of invention when paradoxically a new sense of simultaneity became prominent feature of popular culture, and time was increasingly described not as a property of the world, but a property of the perceivers of the world. This chapter traces Futurist reactions to changing ideas of temporality and the variations and manipulations of time in James Joyce's 'Ulysses'. Chapter four discusses Jorge Luis Borges' idea of temporality as an arrangement of sympathies and differences, and examines temporality in the magic realist movement as represented by Gabriel García Márquez in 'One Hundred Years of Solitude' where a temporality dependant upon individual perspective becomes lonely prospect."

    236. Ecluses, suivi de, La narration multiple dans le roman: 'Des feuille dans la bourrasque' de Gabriel García Márquez

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Melisandre Gibbs
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Montreal, Canada : McGill University
    Location:
    Library, University of Illinois
    Notes:
    "There are several ways of utilizing the plurality of narrative instances in a novel; the 'stereoscopic view,' which presents an object through the lens of several perceptions, is one of these ways. This is the case of 'Des feuilles dans la bourrasque (La Hojarasca), Gabriel García Marquez's first novel, which will be the center of our reflection on multiple narratives. We will study the structure of the novel through the notion of 'parallx' which implies the fragmentation of the object by the marginalization of each one its points of view. However, it is by revealing the 'stereoscopic' character of the novel with multiple narratives that the apparent lack of cohesion of the text will be qualified. The study will conclude with the following question: Does the structure of a novel with multiple narratives raise an ethical concern? 'Ecluses' is a story in five tempos, composed of five chronologically isolated short stories, which are interconnected by a context of common events and characters. The narrative of each of these short stories is supported by a distinct character. Nevertheless, it is the sum of the characters' perceptions, due to the active participation of the reader who has the role of making the different points of view converse, that the story to takes shape and goes forward."

    237. The New Puerto Rican-American Literature in Spanish, Volume 1: Beyond Politics and Displeasure in the Fiction of René Marqués

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Kimberly Wasserman
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Tampa, FL : University of South Florida
    Location:
    Library, University of Illinois
    Notes:
    "A thematic analysis of three major collections of short fiction by René Marqués, as well as a comparative analysis of the fiction of selected works by Marqués and texts by four major writers, F. Scott Fitzgerald, Gabriel García Márquez, Nathaniel Hawthorne, and Margaret Mitchell. This study demonstrates the ways in which the literature of Puerto Rico shares a literary tradition with both the United States and Latin America. Topics include a discussion of how the three short story collections and two novels function as a whole, citing important unifying themes such as Man's isolation, power and (Foucault's definition of) resistance, and the emergence of perspectivism, as well as how selected texts by Marqués relate to themes in major works of American and Latin American literature, such as the supernatural in Hawthorne's 'Young Goodman Brown' love and war in Mitchell's 'Gone with the Wind' The Ice identity in F. Scott Fitzgerald's 'The Ice Palace' and setting and magic in García Márquez' novels, especially 'One Hundred Years of Solitude.' 'The New Puerto Rican-American Literature in Spanish, Volume 1 also questions why the literature of Puerto Rico, and in this case specifically the fiction of René Marqués, is extremely difficult to access outside the island. Only a few major research universities possess even a partial collection, making teaching, research and scholarship highly challenging. Included is a detailed account of the four-year long research process which finally yielded all materials. In conjunction with limited availability, the study offers additional reasons why there has not been an abundance of scholarship produced by and for the English-speaking academic community . One proposed explanation is that there is a pronounced fear of accepting Spanish as a major language of the United States. The study concludes that literature written in Spanish, in the continental United States and Puerto Rico, should be included in the curriculum of both English and Spanish departments as Puerto Rican-American literature."

    238. Fallen Statues: De-monumentalization in the Spanish American Historical Novel of the Late Twentieth Century

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    José Antonio Alvarez
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2004
    Published:
    Austin, TX : University of Texas at Austin
    Location:
    Library, University of Illinois
    Notes:
    "The Spanish-American historical novels of the late twentieth century have shown a marked tendency to feature as their main characters many of the greatest historical figures of the region. Even though there have been a growing number of worthy literary studies about the historical figures portrayed in these novels, they have generally centered on a given historical character in one or more historical novels. There is a need for a comprehensive approach to the study of the great historical characters that are profiled in the New and Traditional Spanish-American Historical Novel. This dissertation is devoted to the literary analysis and conceptualization of the great historical characters that appear in contemporary Spanish-American historical novels. The study aims to formulate a comprehensive literary theory that seeks to explain the presence of great historical figures in the Contemporary Spanish-American Historical Novel. This dissertation is multidisciplinary in nature, involving research in literature historiography, monumental sculpture and iconography. The central thesis of this dissertation is that there are a significant number of great historical figures that are 'de-monumentalized' or debunked as cult figures in the historical novels of the region. The first chapter if the dissertation demonstrates the central thesis by profiling and discussing in depth a wide range of new and traditional historical novels that de-monumentalize their heroic characters. Chapter I formulates the theory of 'De-monumentalization in the Spanish-American Historical Novel.' The Chapter addresses the fundamental question of what does it mean to de-monumetalize a historical cult figure, and which ones can be de-monumentalized in a contemporary historical novel. Chapter I advances three distinct modes of De-monumentalization. Three outstanding historical novels and their main characters represent these modes. Chapter II of the dissertation illustrates how Simón Bolívar is de-monumentalized in 'El general en su laberinto' (1989) by Gabriel García Márquez. Chapter III analyzes the de-monumentalization of Benito Juárez in Fernando del Paso's 'Noticias del Imperio' (1987. Chapter IV examines how Cuba's pantheon of heroes (José Martí, Antonio Maces, ect.) is de-monumentalized in Guillermo Cabrera Infante's 'Vista del amanecer en el trópico' (1974). Chapter V presents the conclusions that were reached in this doctoral project.

    239. New World Romance and Authorship

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jerome Bradford Anderson
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2005
    Published:
    New Haven, CT : Yale University
    Location:
    Library, University of Illinois
    Notes:
    "This dissertation argues that the recourse to romance in post-realist New World writing was accompanied by a re-conceptualization of the figure of the author. While it is true that American romance in its first incarnation exemplified the generic norms of romance, this dissertation focuses on a later generation of romancers, self consciously writing 'against' realism in an attempt to 'return' to romance. I dub this movement 'New World romance'; and hold that its primary innovation was to replace the traditional plot of romance of voyage, return and heterosexual union with a meta-textual plot that concerns the attempted but failed to return to the generic 'innocence' of traditional romance after the collapse of realism. In the process of writing back to romance, the writer sheds the figural trappings of the realist author and adopts a new identity. In 'the narrative of Arthur Gordon Pym of Nantucket' Edgar Allen Poe transforms realism from an epistemological project into a rhetorical ploy meant to dupe his readers. The author becomes a despotic figure, subjecting the reader to the tyranny of his fictions. Jorge Luis Borges explores the political consequences of such overweening authority in 'Tlon, Uqbar, Orbis, Tertius' and proposes instead a dialogical model of the writer: the author as translator. What happens when the real is no longer the exclusive property of an author, or even a government? Culture defines reality, and when cultures come into conflict, the 'Clash of civilizations' ensues. In 'El reino de este mundo' and 'Black Tambourine' Alejo Carpentier and Hart Crane manage 'the clash' by transcribing cultural conflict into musical form, thereby transforming the author into a jazzman. Finally, in 'Cien años de soledad' Gabriel García Márquez re-imagines the encounter between reader and text as the encounter between Echo and Narcissus. Arrogating upon himself the authority to condemn the reader to perpetual longing, García Márquez becomes a kind of deity, thereby adopting a role as author that reaches beyond realism, beyond romanticism to the very origins of literature in myth and romance."

    241. "El realismo mágico en Cien años de soldedad"

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Jo Ann Trad
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2002
    Published:
    Austin, TX : Texas A & M University Kingsville
    Location:
    Library, University of Illinois
    Notes:
    Dissertation: Thesis (M.A.)Texas A & M University Major subject: Spanish. Includes bibliographical references (leaves 88-90)

    243. Gender and Power Dynamics in Beloved and Cien Años de Soledad

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Carlene Kristi Barnett
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2001
    Published:
    San Francisco, CA : San Francisco State University
    Location:
    Library, University of Illinois
    Notes:
    This dissertation discusses gender and power in Gabriel García Márquez's "One Hundred Years of Solitude."

    244. Religion in the Short Fiction of James Joyce and Gabriel García Márquez. MA thesis, English

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Michael Daniel Leamy
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2000
    Published:
    San Diego State University : San Diego State University
    Location:
    Library, University of Illinois
    Related Item Details:
    73 leaves
    Notes:
    Leamy writes, "In tying together Joyce's concept of paralysis with García Márquez's obsession with solitude, I hope to demonstrate how religion plays a definitive role in creating the forces that drove two of the twentieth centuries [sic] most celebrated authors." (4)

    245. Memory, History, and the Contemporary Novel. PhD Dissertation in English

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Catherine Keenan
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2000
    Published:
    Oxford : University of Oxford
    Location:
    Library, University of Illinois
    Related Item Details:
    357 leaves
    Notes:
    Keenan writes, "This thesis aims to examine the models of memory proposed in five contemporary novels: Gabriel Garcia Marquez' One Hundred Years of Solitude, E.L. Doctorow's The Book of Daniel, Milan Kundera's The Book of Laughter and Forgetting, Salman Rushdie's Midnight's Children and Toni Morrison's Beloved. I will interweave my discussions of these novels' ideas on memory with considerations of wider debates about repressed/false memories and memorialisation, and I will also discuss various concepts of memory found in the discourses of neuroscience, cognitive psychology, psychoanalysis, history, and literature."

    246. Prix Nobel et critique en Suède: étude de deux cas: Gabriel García Márquez et Claude Simon

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Karin ép Feeley Albrechtsson
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    1994
    Published:
    Paris, France : Univ. de la Sorbonne Nouvelle, Paris
    Location:
    Library, University of Illinois
    Related Item Details:
    608 p.
    Notes:
    This two-volume dissertation is a discussion of Swedish reception of two Nobel Prize winners' literature (Claude Simon and Gabriel García Márquez). Volume one is the thesis, while volume two includes an appendix with sources and photocopies from Swedish newspapers.

    247. Shared Solitude: re-integration of a fractured psyche: a comparative study of the works of Gabriel García Márquez and Wilson Harris

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Patricia Murray
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    1995
    Published:
    Warwick, UK : University of Warwick
    Location:
    Library, University of Illinois
    Related Item Details:
    275p.
    Notes:
    "This thesis provides an analysis of the works of Gabriel García Márquez and Wilson Harris in the cross-cultural context of the Americas, emphasizing the importance of myth as well as history in their attempts to explore the hybridity of post-colonial identity....Harris and García Márquez present a vision of the world in which there is creative hope for the future."

    248. Lecture cinématographique de la narration latinoaméricaine

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Maria Lourdes Cortes
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    1998
    Published:
    Paris, France : University of Paris
    Location:
    Library, University of Illinois
    Related Item Details:
    677p.
    Notes:
    This dissertation is an exploration of the difficulties intrinsic in the adaptation to film of various Latin American works, including those of García Márquez.

    249. L

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Bob Ngoueranga Mounanga
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    1994
    Published:
    Perpignan, France : University of Perpignan
    Location:
    Library, University of Illinois
    Related Item Details:
    373p.
    Notes:
    Ngoueranga's doctoral thesis discusses the representation of the dictator figure in three Latin American novels, one of which is García Márquez's El otoño del patriarca.

    250. A Comparative Study of the Death of Authority and the Loss of Self in Postmodern Literature

    Collection:
    Gabriel Garcia Marquez (GGM)
    Contributers:
    Krista Polley
    Format:
    Secondary source, Dissertations and Theses on Gabriel García Márquez
    Publication Date:
    2005
    Published:
    Alberta, Canada : University of Alberta
    Location:
    Library, University of Illinois
    Notes:
    (Abstract) "The themes of the death of authority and the loss of self are portrayed in postmodern world literature. Through five culturally specific novels, both the themes of the death of authority and the resulting idea of the loss of self are explored. Gabriel García Márquez, Jerzy Kosinski, Milan Kundera, J.M. Coetzee, and Haruki Murakami provide the novels, each of which presents the postmodern individual living in the world with no sense of authority and no sense of self. These individuals abandon their cultural and social roles in the attempt to find themselves. The individual's situation is understood through the radical theology of kierkegaard, Nietzsche, and Altizer and it's relationship to the deconstruction of Derrida and Barthes." (M.A. Thesis)