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52. N/A
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Lemus Gabriel García Márquez, Silvia, Claudia Ibañez, dir., and prod
- Format:
- Primary source, Audio-visual Materials
- Publication Date:
- 2004
- Published:
- Princeton, NJ : Films for the Humanities & Sciences
- Location:
- Library, University of Illinois
- Notes:
- In this interview with Silvia Lemus, Gabriel García Márquez discusses his life and work from a highly personal plane. This is an episode of the television program "Tratos y retratos."
53. Ordinary Enchantments: Magical Realism and the Remystification of Narrative
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Wendy B Faris
- Format:
- Secondary source, Books on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Nashville, TN : Vanderbilt University Press
- Location:
- Library, University of Illinois
- Notes:
- This work presents: 1) Definitions and locations: magical realism between modern and postmodern fiction. 2) "From a far source within": magical realism as defocalized narrative defocalization. 3) Encoding the ineffable: a textual poetics for magical realism. 4) "Along the knife-edge of change": magical realism and the post-colonial dynamics of alterity. 5) "Women and women and women": a feminine element in magical realism?
54. Rediscovering Magical Realism in the Americas
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Shannin Schroeder
- Format:
- Secondary source, Books on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Westport, Conn : Praeger
- Location:
- Library, University of Illinois
- Notes:
- "Drawing from a variety of contemporary literature--including such work as 'One Hundred Years of Solitude,' 'Beloved,' and 'Like Water for Chocolate'--Schroeder explores magical realism as one of many commondenominators in the literature of the Americas, Challenging the notion that magical realism should be defined merely in terms of geogaphy or Latin American history." Chapters that discuss Gabriel García Márquez: 2. The Booming Voice of Magical Realism in Latin America 3. "Adancing in the Opposite Direction from Reality": Magical Realism, Alchemy, and One Hundred Years of Solitude
55. Speaking Time: Intersections of Literature and Chronosophy
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Veronica Browning
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Washington, DC : University of Washington
- Location:
- Library, University of Illinois
- Notes:
- "This dissertation takes a chronosophical approach to literary study, addressing the changing ways thinkers have chosen to articulate the nature of time, and examining in particular literary works which take on time as a theme. Chronosophy is not science; it does not belong to the arts; it is not religion. Ideas of time belong nowhere but infuse everything. In order even to say this, we must speak in time, as one word necessarily comes before another, reinforcing through language an idea of temporal linearity in which Einstein proclaimed to be an illusion, albeit our most persistent one. The achievement of a remove from which one might find understanding, and Archimedian view from nowhere, has been one of the greatest projects in the history of knowledge. This dissertation discusses literary attempts to find a view from nowhen. In tracing attempts to articulate and represent time, and how those efforts have informed shifting perceptions of time found in literary works, chapter one discusses patterns of chronosophical inquiry from ancient times to Dante, focusing in particular on those ides of time which survive today. Dante Alighieri mathematically encoded a discussion of temporal contingency and ineffability into the numeric structure of his Divine Comedy. Chapter two discusses his use of Pythagorean theories in his attempts as a finite mortal bound to temporal succession to articulate a literary representation of eternity. Chapter three discusses the impact of Einstein's Relativity theory under which simultaneity in time can no longer exist, during period of invention when paradoxically a new sense of simultaneity became prominent feature of popular culture, and time was increasingly described not as a property of the world, but a property of the perceivers of the world. This chapter traces Futurist reactions to changing ideas of temporality and the variations and manipulations of time in James Joyce's 'Ulysses'. Chapter four discusses Jorge Luis Borges' idea of temporality as an arrangement of sympathies and differences, and examines temporality in the magic realist movement as represented by Gabriel García Márquez in 'One Hundred Years of Solitude' where a temporality dependant upon individual perspective becomes lonely prospect."
56. The Central Importance of Temporality in the Fiction of Gabriel García Márquez
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Anthony Patterson
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Dominguez Hills, CA : California State University
- Location:
- Library, University of Illinois
- Notes:
- “There have been various interpretations of the work of García Márquez. However, no detailed study has been made of the huge significance of temporality to his art. This thesis argues that García Márquez’ novels are complex considerations of humankind’s relation to time, and that time is an inherent and constitutive property of the art and meaning of his texts. To demonstrate the validity of this proposition this thesis examines structure, strategy and thematic concern and their interrelation in relation to temporality. It is, thus, divided into five sections: a brief introductory contextualization of recent critical debate concerning the relationship between temporality and narrative; an analysis of the temporal structure of García Márquez’ most important novels and how this relates to the overall meaning of his specific consideration of the temporal narrative strategies that García Márquez adopts and why these are significant to an understanding of his work; an evaluation of temporal themes in García Márquez and their centrality to his work; and a concluding section which examines the interrelation between structure, strategy and theme to demonstrate the crucial importance of temporality to a comprehensive understanding of the fiction of García Márquez.”
57. The New Puerto Rican-American Literature in Spanish, Volume 1: Beyond Politics and Displeasure in the Fiction of René Marqués
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Kimberly Wasserman
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Tampa, FL : University of South Florida
- Location:
- Library, University of Illinois
- Notes:
- "A thematic analysis of three major collections of short fiction by René Marqués, as well as a comparative analysis of the fiction of selected works by Marqués and texts by four major writers, F. Scott Fitzgerald, Gabriel García Márquez, Nathaniel Hawthorne, and Margaret Mitchell. This study demonstrates the ways in which the literature of Puerto Rico shares a literary tradition with both the United States and Latin America. Topics include a discussion of how the three short story collections and two novels function as a whole, citing important unifying themes such as Man's isolation, power and (Foucault's definition of) resistance, and the emergence of perspectivism, as well as how selected texts by Marqués relate to themes in major works of American and Latin American literature, such as the supernatural in Hawthorne's 'Young Goodman Brown' love and war in Mitchell's 'Gone with the Wind' The Ice identity in F. Scott Fitzgerald's 'The Ice Palace' and setting and magic in García Márquez' novels, especially 'One Hundred Years of Solitude.' 'The New Puerto Rican-American Literature in Spanish, Volume 1 also questions why the literature of Puerto Rico, and in this case specifically the fiction of René Marqués, is extremely difficult to access outside the island. Only a few major research universities possess even a partial collection, making teaching, research and scholarship highly challenging. Included is a detailed account of the four-year long research process which finally yielded all materials. In conjunction with limited availability, the study offers additional reasons why there has not been an abundance of scholarship produced by and for the English-speaking academic community . One proposed explanation is that there is a pronounced fear of accepting Spanish as a major language of the United States. The study concludes that literature written in Spanish, in the continental United States and Puerto Rico, should be included in the curriculum of both English and Spanish departments as Puerto Rican-American literature."
58. Un siglo de erotismo en el cuento colombiano Antología
- Collection:
- Gabriel Garcia Marquez (GGM)
- Format:
- Secondary source, Miscellaneous
- Publication Date:
- 2004
- Published:
- Medellín, Colombia : Editorial Universidad de Antioquia
- Location:
- Library, University of Illinois
- Notes:
- Castro García states that for this anthology of Colombian erotic stories he has revised 237 works, among them García Márquez's Doce cuentos peregrinos (1992) and Todos los cuentos (1977); however, these works were simply referred to and not included in his anthology.
59. Zycie jest opowiescia. Vivir para contarla (Living to Tell the Tale)
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Gabriel García Márquez and au
- Format:
- Primary source, Translations
- Publication Date:
- 2004
- Published:
- Warsaw, Poland : MUZA SA
- Location:
- Library, University of Illinois