Barranquilla, Colombia : Universidad del Atlántico
Location:
Library, University of Illinois
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4(14)
Notes:
Originally published in La Casa de Asterión. Revista virtual de Estudios Literarios. Barranquilla, Colombia. Universidad del Atlántico. v. 4, no. 14 (July-September, 2003)
Five volumes of journalistic work. v. 1: Textos costeños (1948-1952), v. 2: Entre cachacos (1954-1955), v. 3: De Europa y América (1955-1960), v. 4: Por la libre (1974-1995), v. 5: Notas de prensa (1961-1984).
This book contains 16 sessions of a workshop under the direction of García Márquez. It is divided into sixteen sections, an argument, a concluding chapter writter by Ruy Guerra and Claudio McDowell, and data of the participants. The members of the workshop were: Doc Comparato, Eliseo Alberto Diego, Andrés Agudelo, Iván Argüello, Susana Cato, Luis Alberto Lamata, Manuel Gómez Díaz and Arturo Villaseñor. Edgar Soberón is the editor of the sections and Gabriel García Márquez the director.
Writers' workshop for movie scripts led by Gabriel García Márquez. The participants included Marcos R. López (Argentina), Manuel F. Nieto Arango (Colombia), Denis Pinho França de Almeida (Brasil), Elid Pineda Arzate (México), Cecilia Pérez Grovas (México), Victoria Eva Solanas (Argentina), Gloria Saló Benito (España), María del Socorro González Ocampo (Colombia), Reinaldo Montero Ramírez (Cuba), y Roberto Gervitz (Brasil).
"A collection of chronicles and news articles that García Márquez sent beyond the Atlantic from Geneva, Rome, Venice, Vienna, London, Paris, and other places."
Viewed on March 25, 2008. This is the text of a speech García Márquez made on the fiftieth anniversary of the publication of Juan Rulfo's El llano en llamas. García Márquez speaks of the influence Juan Rulfo's writing has had on him.
Ollero y Ramos Editores. Escuela Internacional de Cine y Televisión
Location:
Library, University of Illinois
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4p.
Notes:
Viewed on 27 March, 2008. This is part of the story-telling workshop, La Bendita Manía de Contar, directed by García Márquez. Here he discusses the art of storytelling and how to develop one's natural abilities.
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Audiorecording narrating the story, "La viuda de Montiel."|Originally published: Lincolnwood, IL: National Textbook CO., c1975. Distribution is restricted to RFB & D members who have a documented print disability such as a visual impairment, learning disability or other physical disability.
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published: New York: Alfred A. Knopf, c2002. Distribution is restricted to RFB & D members who have a documented print disability such as a visual impairment, learning disability or other physical disability. ||"This is the first volume in a trilogy of García Márquez's memoirs. The book begins as García Márquez returns to his hometown of Aracataca with his mother to sell the family's house. The narrative becomes a journey through Colombian history, starting with the writer's childhood in Aracataca and ending in 1957 at age 29, when he traveled abroad for the first time. The first volume reflects García Márquez's experience as both a novelist and a journalist." --Books in Print
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published: Evanston, IL: Nextext, c2003. Includes bibliographical references. "This book offers short stories, poems, plays essays, and excerpts from novels by prominent writers of Spain and Latin America presented entirely in Spanish. These collections are ideal for a variety of upper-level courses, particularly Advanced Placement Spanish Literature." --Back cover
This work relies on the hypothesis that Aureliano Buendía's character is based on the life of General Ramón Demetrio Morán. Thus Henríquez affirms that One Hundred Years of Solitude has been written in code and the literary style of the Nobel's fantasy and imagination impeded to find the true background of the novel.
This book constitutes a profound analysis of the partial work of a number of selected texts, that point out the socio-historic character in nine hispanic novelists. This series of critical essays about nine representative authors by Manuel Antonio Arango L., is a clear effort to study and deepen the social context of Hispanic literature and integrate it to the history of Hispanic America.
Salamanca, Spain : Ediciones Universidad de Salamanca
Location:
Library, University of Illinois
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302 : 217 p.
Notes:
Previously published under Ceiba Editores in 1992. The considerable criticism and interpretative literature about Gabriel García Márquez has transformed him into a "stranger," and for the Colombian readership, his work has become something "unknown," states Carmenza Kline. Her goal is to give back the original spirit of the works, which was prevalent at the time of their writing. She provides excellent coverage of articles written about García Márquez and his works in the Colombian Press, something which is not always available in the USA.
"Since its publication in 1967, One Hundred Years of Solitude has sold well over 10 million copies and earned its author, Gabriel García Márquez, a host of awards including the Nobel Prize for Literature in 1982. The novel has brought about comparisons to Cervantes, Faulkner, Woolf, and even the bible. This book is part of Harold Bloom's Modern Critical Interpretations." -Publisher