Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Colombia : CHeCHo Producciones, S.A.
Location:
Library, University of Illinois
Notes:
The 21st of October of 2002 is the twentieth anniversary year of the announcement of the Nobel Prize in Literature awarded to Gabriel García Márquez. This article by Daniel Samper Pizano begins a series of articles about the author's work.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Location:
Library, University of Illinois
Notes:
Boese notes the rumors to which Gabriel García Márquez has been subject since 1999, including those of a farewell poem, "La Marioneta," being sent out to his closest friends on account of his worsening condition, when in reality he had not written the poem."
Luis Soria Romero, Fernando Rayo Tierno, and Gala Blasco Aparicio
Format:
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Pamplona, Spain : Cénlit
Location:
Library, University of Illinois
Related Item Details:
166
Notes:
This article is dedicated to Pablo Neruda, who in turn dedicated a poem to Gabriel García Márquez, because Neruda belived that García Márquez was one of the best-standing novelists.
John Barth, Duvall, John N., Ann J. Abadie, and eds
Format:
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Jackson, MS : University Press of Mississippi
Location:
Library, University of Illinois
Related Item Details:
192-195
Notes:
"But this oedipal chafing passed, and while it has been long now since I've actually reread "My Faulkner," his luster as a navigation star was considerably brightened for me some years ago by Gabriel García Márquez's remark in an interview, after acknowledging Hemingway and Faulkner as his masters, that Faulkner is "actually, you know, a Caribbean writer." He didn't elaborate that aperçu, as I recall, but I found it charming to imagine that by transposing the greatest of our Southern writers just a few degrees in latitude farther south, he becomes one of the wellsprings of Magic Realism."
Philip Weinstein, Duvall, John N., Ann J. Abadie, and eds
Format:
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Jackson, MS : University Press of Mississippi
Location:
Library, University of Illinois
Related Item Details:
39-41, 192, 195
Notes:
"How could the same characterizations have a purchase on textual worlds as different as Barthelme's parodic games, Italo Calvino's self-generating narratives, Gabriel García Márquez's magic realism, and Toni Morrison's brooding reframing of American history? In what follows, the postmodernist generalizations I shall offer refer mainly to the brilliant, brittle American fictions of the "60s and "70s."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Jackson, MS : University Press of Mississippi
Location:
Library, University of Illinois
Related Item Details:
39-41
Notes:
"Glissant goes on to identify a series of writers whose work responds to Faulknerian poetics, including Flannery O"Conner, Alejo Carpentier, William Styron, Gabriel García Márquez, and Toni Morrison."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Madrid, Spain : Espasa Calpe
Location:
Library, University of Illinois
Related Item Details:
416
Notes:
Ángel Esteban in collaboration with Raúl Cremades, just published a book that brings together their investigations about sixteen well-known writers of the twentieth century, specifically about their everyday work in the literary creation.