Reviews a novel about the lives of a mixed-race British/American family living in the United States. In its depiction of African Americans, White Americans, Britons, and Caribbean immigrants, the book demonstrates Americans' obsession with race. In addition to the contrast between desires for racial authenticity and class mobility, Smith’s novel exposes the variability of Black America, and especially the intersection between class and race.
The concept of the ghetto, referring to specifically urban experiences of sociospatial marginalization, has played a prominent role in black popular culture. This article explores the role of the ghetto as a discursive space of immobility and traces its global journey as a mobile imaginary.
