Human Rights in Haiti: A Work in Progress" is a 22-minute abridged Cliffs Notes version of the history of Haitian unrest. Though it is beautifully edited and has some rather moving imagery, the film ends suddenly, which quite frankly took the audience off guard. During the Q&A session following the films, the un-packed audience of 10 people (which included the filmmakers) had a few burning questions, some of which were not completely answered. "Who's the opponent? Who's the evil person here?" "It doesn't make that clear," "There are things that aren't really clear here" were just a few questions the audience members asked.
This year's Miami concert is a continuation of this ongoing goodwill project, bringing together a host of internationally renowned celebrities, reggae, R&B, and hip-hop artists in an all-day Carnival event with food, arts, crafts, and a vast array of entertainment. Proceeds from the event will benefit the Wyclef Jean Foundation and be donated to charitable organizations. Proceeds from last year's Miami Carnival were given to VHI's "Save The Music" and Oeuvres de Petites Ecoles de P. Bohnen (through Fondation Artistes Creation, a not-for- profit Haitian organization). "Guantanamera," a single from "Wyclef Jean Presents the Carnival," featuring Celia Cruz and Jeni Fujita, was nominated for the Best Rap Performance By A Duo or Group. The following year, Wyclef Jean's single, "Gone Till November," was nominated for a Grammy in the Best Rap Solo Performance category.
Wyclef Jean - the trailblazing hip-hop artist and Haiti's answer to Jamaica's Bob Marley and Ireland's Bono - last month unveiled an ambitious new philanthropic effort aimed at bringing the power and wealth of his own celebrity - and the collective muscle of the Haitian Diaspora - to bear to help his native land. Wyclef christened the emerging non-profit "Yéle Haiti" during a tour of Haiti last month, in which he announced plans to help fund the reconstruction of schoolhouses and a vast scholarship program, among other initiatives.
Paul,Ron C. (Author) and Editorial Bukante (Editor)
Format:
Video/DVD
Publication Date:
2006
Published:
Port-au-Prince, Haïti: Bukante
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
DVD, 1 videodisc (48 min.)
Notes:
Virtual exhibition on the painters of northern Haiti. Highlights works by Junior Abraham, Patrick Alexis, Alfred Altidor among others. In Creole with optional French, Spanish or English subtitles.
Glassman,Steve (Editor) and Seidel,Kathryn Lee (Editor)
Format:
Book, Edited
Publication Date:
1991
Published:
Orlando, FL: University of Central Florida Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
197 p, Zora in Florida focuses on the place that nurtured and inspired her work, the frontier wilderness of central Florida and the all-black town of Eatonville. Two chapters are devoted to her first novel, Jonah's Gourd Vine, set almost entirely in Florida. Includes Barbara Speisman's "Voodoo as symbol in Jonah's gourd vine." Also treats Hurston's lesser-known works such as Tell My Horse, her first-person account of fieldwork in Haiti.
"In our Cold War fight with Castro, (we were) willing to subsidize Cubans to leave to come here and at the same time lock Haitians out. That is not fair, and we deserve a different policy," [Jesse L. Jackson Sr.] said. He said the U.S. pays to bring Cubans here, subsidizes them, but pays to send Haitians back to Haiti. "That's not fair," he stated. "Haiti fought for our freedom." "The Cubans are political refugees looking for political freedom, and they're given money to come, but, the Haitians are economic refugees so they must go back. There are more Haitians who've died... than Cubans," Jackson said calling for an end to the double standard of refugees between Cuba and Haitians seeking to come to America.
