[Rosa Guy]'s novels have explored the stifling consequences of poverty in settings as far away as the Caribbean, or as near as New York's Harlem for over 30 years. Once it is published, "The Sun, The Sea, A Touch of the Wind" will join an impressive body of literary material authored by Ms. Guy that includes "Bird At My Window," "A Measure of Time," "And Then She Heard of Bird Sing," "Edith Jackson," "Ruby," "Children of the Longing" and "Music of Summer." "I believe I write for everybody," says Guy., "Young people like my work because I don't talk down to them." This attitude helps explain the on-going popularity of her "Imamu Jones Mystery Series," a crossover favorite among both Black and White young readers. Many of them have come of age reading the suspenseful "Mystery Series" which focuses on the trials and tribulations of a Brooklyn teen struggling to define his manhood.
After [Jean-Jacques Dessalines]' death, [Henri Christophe] assumed leadership of Haiti, but the mulatto minority South set up its own republic under Pétion. Christophe committed suicide in 1820 amid an uprising over his forced labor policies. Pétion's successor, JeanPierre Boyer, reformed the two republics into one Haiti. Boyer ruled until his government collapsed in 1843 due to political rivalry. Until 1915, only two of the 21 governments since 1843 were not dismantled by coups d'états or political in-fighting. Except for agreement on the abolition of slavery, the state and nation were headed in opposite or different directions before the L'Ouverture adherents took over in 1804. The literature on Haiti, from Trinidadian C. L. R. James' classic book The Black Jacobins, to TransAfrica founder Randall Robinson's An Unbroken Agony, all tell the awful consequences of the "color curtain" in claustrophobic Haiti.
The representations of Haiti and Haitians that appeared in mainstream news coverage of the disaster reproduced narratives and stereotypes dating to at least the 19th century. Today, understanding the continuity of these representations matters more than ever.
On March 1st and 2nd, The Riverside Church will open its doors to metropolitan New Yorkers for a Haiti Festival - a cultural and spiritual celebration of Haiti. The "Haiti Festival" will kick off Friday, March 1st with a workship service and live performances by Haitian folk and roots musicians. The Festival will continue on Saturday as Riverside Church is transformed into a traditional Caribbean marketplace alive with the rhythms and folklore of Haiti.
