Discussed is the 'passion for Cuba' held by Dr. Robert Stephens, professor of music at the University of Connecticut-Storrs and interim director of the school's Institute for African American Studies
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 microfiche, Internet Resource, Computer File. A continuation of the author's Cuba canta y baila: discografía de la música cubana, vol. 1 (1989-1925).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
199 p, Contents: Popular music. The salsa concept ; Ontology of the son ; The aesthetics of sabor -- On the road to Latin jazz. Magic mixture ; Drumming in Cuban ; Lords of the tambor ; Chocolate dreams ; The taste of "azúcar!"
La Habana, Cuba: Ministerio de Educación, Dirección de Cultura
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
477 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
489 p, Examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, "A reprint of this extensive study of Afro-Cuban music examines the musical traditions of the African population in Cuba, including rhythmic and melodic features, instrumentation, and vocal characteristics. It must be studied in conjunction with Ortiz's Los bailes y el teatro de los negros en el folklore de Cuba (1993) and Los instrumentos de la música afrocubana (1995), both of which have been reprinted. The three works have also been reprinted in Spain (Madrid: Editorial Música Mundana Maqueda, 1997)"--Handbook of Latin American Studies, v. 58.
