223 p., Argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a special cultural sanction and influence; they have become discourses themselves, generating our notions about American poetry. By "iconic" the author means extraordinarily famous works like Henry Wadsworth Longfellow's "Paul Revere's Ride," Walt Whitman's "Song of Myself," and Claude McKay's "If We Must Die," that do not merely reside in the national memory but that have determined each poet's reception and thus have shaped the history of American poetry.
Artist [Guy S. Fleury] began to to paint at the age of 12. After emigrating to the United States in 1970, he painted consistently until 1974. Fleury studied Haitian art and history with notable Haitian artist Wilfrid Austin, known as "Frido." He also studied the fine art and is strained in art restoration and expert framing. Each of Fleury's paintings has a unique touch and it is very difficult to recognize his paintings unless you are very familiar with the painter himself. Fleury remains true to his images of Haitian subjects but not in a typical or traditional way. Fleury paints scenery of his native town of St. Marc depicting personage, way of life - the coumbite, historical events, spiritualism, traditional values, etc.
Cateau,Heather (Author) and Carrington,Selwyn H. H. (Author)
Format:
Book, Whole
Publication Date:
2000
Published:
New York: P. Lang
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p, Contents: Eric Williams and Howard university / John Hope Franklin -- The legacy of Eric Williams / George Lamming -- Eric Williams and his intellectual legacy / Colin Palmer -- Capitalism and slavery, fifty years after / Joseph Inikori -- Capitalism and slavery / Seymour Drescher -- William as historian / Andrew O'Shaughnessy -- Capitalism and slavery / Ibrahim Sundiata -- Economic aspects of the british trade in slaves / William Darity -- Planters, slaves and decline / David Ryden -- War, revolution and abolitionism, 1793-1806 / Claudius Fergus -- Globalization / Kari Levitt
Considers the second part of Eric Williams book Capitalism and Slavery, where he argues that "Britain's changing attitude to slavery and the slave trade was essentially a function of her changing economic situation and interest." Looks at the Williams' "interpretation of Pitt's conduct, of the abolition of the British slave trade in 1807, and of Palmerston and the suppression of the foreign slave trade."
"C.L..R. James' 1938 seminal text, The Black Jacobins, and Eric Williams' 1944 tour de force, Capitalism and Slavery, constitute much more than foundational works in West Indian nationalist historiography. Both authors, born in colonial Trinidad and writing Caribbean history within its Atlantic context, made significant contributions to development discourse within the traditions of Enlightenment Idealism. As critical realists they considered popular historiography indispensable to any attempt to root philosophical ideals within recognizable terms of everyday living. In The Black Jacobins, James documents the struggles of the enslaved peoples of St. Dominique, the mercantile showpiece of French colonial capitalism in the West Indies for freedom and social justice. In addition, he details the transformation of this successful anti-slavery rebellion into something much more elaborate in terms of Atlantic history--the creation of Haiti, the Caribbean's first nation-state. In Capitalism and Slavery, Williams expands and develops the paradigm of African labor enslavement and European capital liberation, first outlined by James in The Black Jacobins, that became the basis of the revolutionary reorganization of productivity for European economic development." (author)
