"In this paper I should like to discuss a particular geographical area in Venezuela which has been heavily influenced by black populations stemming from colonial trans-Atlantic slave trade, i.e., the region known as Barlovento, which lies east-southeast of Caracas." (author);
Fanon,Frantz (Author) and Charles Lam Markmann (Translator)
Format:
Book, Whole
Publication Date:
1967
Published:
New York: Grove Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Translation of Peau noire, masques blancs., 232 p, "Fanon, born in Martinique and educated in France, is generally regarded as the leading anti-colonial thinker of the 20th century. His first book is an analysis of the impact of colonial subjugation on the black psyche. It is a very personal account of Fanon's experience being black: as a man, an intellectual, and a party to a French education." (Adapted from wikipedia.org)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
250 p, Drawing from a wide spectrum of disciplines, the essays in this collection examine in different national contexts the consequences of the "Latin American multicultural turn" in Afro Latino social movements of the past two decades.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
280 p., Compares the experiences of persons of African origin and descent in the towns of Baltimore and Sabara, Black Townsmen reconsiders their relationship to eighteenth-century urban environments in the Americas. Following Africans and their descendants through their struggle with slavery, manumission, and life in freedom, Dantas explains how these men and women's efforts and choices helped to define the trajectory of these two towns.
Blacks; Women; Brazil; South America; Book reviews; PERRY, Keisha-Kkan Y; BLACK Women Against the Land Grab: The Fight for Racial Justice in Brazil (Book)
New York London: Twayne Publishers Prentice Hall International
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xix
Notes:
139 p, Contains: The complexity of complexion: reading and understanding Black Hispanic writing -- Biography and Black autobiography: Black Hispanic writers and the autobiographical statement -- Slavery and the pivotal Afro-Cubans: Juan Francisco Manzano's Autobiografía, Nicolás Guillén's El diario que a diario, and Nancy Morejón's "Mujer negra" -- Miscegenation and personal choice in Venezuela: message and mestizaje in Juan Pablo Sojo's Nochebuena negra -- Ambiguity, locura, and Black ambition in two Afro-Ecuadorian novels: Adalberto Ortiz's Juyungo and Nelson Estupiñán Bass's El último río -- Epic, civic, and moral leadership: Manuel Zapata Olivella's Chambacú, coarral de negros; Changó, el gran putas; and Levántate mulato -- Black poetry and the model self: Pilar Barrios's Piel negra and Gerardo Maloney's Juego vivo -- Two black Central American novelists of antillano origin: race, nationalism, and the mirror image in Cubena's Los nietos de Felicidad Dolores and Quince Duncan's Los cuatro espejos -- Dominican blackness: Blas Jiménez's Caribe africano en despertar and Norberto James's Sobre de la marcha -- Passing the torch: Nicomedes Santa Cruz's Ritmos negros del Perú and Antonio Acosta Márquez's Yo pienso aquí doned...estoy -- From authenticity to "authentic space": the emergence, challenge, and validity of Black Hispanic literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
xiii
Notes:
224 p, Contains: Introduction: The problems of literary Blackness in Latin America -- pt. 1. Early literature (1821-1921): In the beginning: oral literature and the "true Black experience" -- Slave poetry and slave narrative: Juan Francisco Manzano and Black autobiography -- Slave societies and the free Black writer: José Manuel Valdés and "Plácido" -- From antislavery to antiracism: Martín Morúa Delgado, Black novelist, politician, and critic of postabolitionist Cuba -- Cultural nationalism and the emergence of literary Blackness in Colombia: the originality of Candelario Obeso -- The Black swan: Gaspar Octavio Hernández, Panama's Black modernist poet -- pt. 2. Major period (1922-49): The turning point: the Blackening of Nicolás Guillén and the impact of his Motivos de son -- The Black writer, the Black press, and the Black Diaspora in Uruguay -- Juan Pablo Sojo and the Black novel in Venezuela -- Adalberto Ortiz and his Black Ecuadorian classic -- Literary Blackness in Colombia: the novels of Arnoldo Palacios -- pt. 3. Contemporary authors (1950- ): Literary Blackness in Colombia: the ideological development of Manuel Zapata Olivella -- Literary Blackness and Third Worldism in recent Ecuadorian fiction: the novels of Nelson Estupiñán Bass -- Folk forms and formal literature: revolution and the Black poet-singer in Ecuador, Peru, and Cuba -- Return to the origins: the Afro-Costa Rican literature of Quince Duncan -- Ebe Yiye -"the future will be better": an update on Panama from Black Cubena -- Conclusion: Prospects for a Black aesthetic in Latin America.
"The initiative increases the visibility and presence of Black, African and Caribbean queers in Canada," says Akim Ade Larcher, Founder of Stop Murder Music (Canada) "It's the first of its kind in Canada and I'm proud to announce it during Black history month."
