"This book was written by a leading member of the Castro revolution in Cuba. Dreke was the second in command in Africa (behind the legendary Che Guevera) for the export of a similar revolution to that continent." (Publisher)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., With the abolition of the slave trade in 1807 and the emancipation of all slaves throughout the British Empire in 1833, Britain washed its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates Britain continued to contribute to and profit from the slave trade well after 1807, even into the twentieth century. Chapter 4 is about Cuba and Brazil, pp. 83-111.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
270 p., Cuba's geographic proximity to the United States and its centrality to US imperial designs following the War of 1898 led to the creation of a unique relationship between Afro-descended populations in the two countries. Drawing on archival sources in both countries, the author traces four encounters between Afro-Cubans and African Americans.
Philadelphia, PA: University of Pennsylvania Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
283 p., Using travel and tourism as sites where the pleasures of imperialism met the politics of empire, Christine Skwiot untangles the histories of Cuba and Hawai'i as integral parts of the Union and keys to U.S. global power, as occupied territories with violent pasts, and as fantasy islands ripe with seduction and reward. Grounded in a wide array of primary materials that range from government sources and tourist industry records to promotional items and travel narratives, The Purposes of Paradise explores the ways travel and tourism shaped U.S. imperialism in Cuba and Hawai'i.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
214 p, This study offers a unique perspective in interpreting the cultural politics of Cuba's complex history through an exploration of the country's literature. The book introduces readers to some of Cuba's most eminent and engaging voices by examining some of the historical tropes put forth by major writers. Drawing on an array of interpretive approaches from mythopoetic analysis to phenomenology, West addresses the work of Nancy Morejon, Alejo Carpentier, Virgilio Pinera, Dulce Maria Loynaz, Jose Lezama Lima, and Severo Sarduy. This poetic look at Cuba's rich and turbulent history through the eyes of its writers will be of interest to students and scholars of Latin American history and culture; Includes bibliographical references
