Outlines some disparities in African Caribbean women's reproductive experiences in relation to contraception, abortion and infertility in contemporary UK, and calls for greater research into their reproductive experiences, in order to better understand and meet their reproductive needs.
Waterhouse had the better of the champions on the previous occasions they met, and as Harbour View's closest rivals, a win over them would have given Waterhouse something to hold on to. [Nicholas Beckett] was adamant that they would not be beaten, and especially not at their home ground. Amid celebrations of players, club officials and spectators, Harbour View Football Club's captain, Montrose Phinn (left), is presented the Red Stripe Premier League (RSPL) trophy by (from second left) Edward Seaga, chairman, Premier League Clubs Association, Erin Mitchell, brand manager, Red Stripe and Captain Horace Burrell, president, Jamaica Football Federation, following the Monday Night R5PL match between the east Kingston team and Waterhouse at Harbour View Stadium. Harbour View won 2-0. "One of the Waterhouse defenders was saying to watch me because I am good in the air. I turned back, giving the impression that I was not interested and then peeled off and headed back in to score," said Beckett of his fourth goal of the season.
Drawing on data collected during a 2-year Economic and Social Research Council-funded project exploring the educational perspectives and strategies of middle-class families with a Black Caribbean heritage, this paper examines how participants, in professional or managerial occupations, position themselves in relation to the label 'middle class'.
Alicia Alonso contended that the musicality of Cuban ballet dancers contributed to a distinctive national style in their performance of European classics such as Giselle, ou Les Wilis and Lebedinoe ozero (Swan lake), op. 20. A highly developed sense of musicality distinguished Alonso's own dancing. For the ballerina, this was more than just an element of her individual style: it was an expression of the Cuban cultural environment and a common feature among ballet dancers from that island. In addition to elucidating the physical manifestations of musicality in Alonso's dancing, this article examines how the ballerina's frequent references to music in connection to both her individual identity and the Cuban ballet aesthetics fit into a national discourse of self-representation that deems Cubans an exceptionally musical people. This analysis also problematizes the Cuban ballet's brand of musicality by underscoring the tension between its possible explanations—from being the result of the dancers' socialization into a rich Afro-Caribbean musical culture to being a stylistic element that Alonso developed through her training with foreign teachers and, in turn, transmitted to her Cuban disciples.
This article considers two novels by Andrew Salkey, Escape to an Autumn Pavement and The Adventures of Catullus Kelly. Where recent critical attention endeavours to emphasize the significance of the former novel as an account of black homosexuality, the intention here is to take these novels together to explore wider concerns of sex and sexuality during the 1960s. In so doing, these novels are located not just within the growing genre of West Indian writing with its emphasis upon the aesthetics of identity in this period, but also in its relation to literature associated with the 'Angry Young Men'. The intention is to read Salkey's work not just as expressions of migrant identity, but as illustrations of British identity during a moment of intense social change with regard to global status, sexual politics and incipient multiculturalism.
Proposes a reading of Donna Hemans' novel River Woman in relation to other contemporary Caribbean women writers and to the early fiction of Toni Morrison. Argues that the complex affects that her representation of 'child-shifting' produces can be articulated in relation to literary texts that re-imagine historical and contemporary practices leaving a child in order to save her and in the context of the plantation.
Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
Looks at the performance of tomboy identity in Joan Anim-Addo's collection of poetry Janie, Cricketing Lady and Margaret Cezair-Thompson's novel The Pirate's Daughter. Argues that the ongoing affects of colonialism and patriarchy in the islands of Grenada and Jamaica, shape the life narratives. To understand the way in which affect can be expressed through tomboyism in Caribbean societies, it is necessary to look at color and class alongside gender in the context of Caribbean creolization.
