268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
The findings of a questionnaire survey distributed to 153 female university students in Barbados and Jamaica in 2008 reveal the attitudes to diverse female sexualities in the Caribbean. The participants in the survey discussed changing beliefs about sexuality in Caribbean society. The findings show that slowly, as a consequence of globalization and the mass media, people are increasingly open-minded about sex. Women are confidently expressing and increasingly asserting themselves as equal partners. There is greater debate in Caribbean society about female same-sex relationships, and deeper awareness of sexual harassment is evident. Nevertheless, for some respondents, the same degrading notions of women as sex objects and promiscuous beings continue to exist.
Depression is a common condition among women in the United Kingdom. However, little is known about the context of depression among British African Caribbean women. This article offers a preliminary discussion regarding issues and information pertaining to depression among British African Caribbean women. Characteristics and symptoms of depression along with treatment issues will also be presented.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
180 p., Brings together, in one volume, a number of monographs from the mid to late 18th century (the period known as the Age of Reason) on the diagnosis and treatment of diseases of African and Creole slaves in the English-speaking Caribbean. Included here are James Grainger’s Essay on the More Common West-Indian Diseases (1764) and book 4 of The Sugar-Cane (1764); book 2 of the Reverend Griffith Hughes’s Natural History of the Island
of Barbados (1750); and Benjamin Moseley’s Miscellaneous Medical Observations (1789).
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 info packet., Contents: Blacks in Business : Swan Street : A catalyst for change - Black History Month - Black History Month panel discussion : Blacks in business the way forward - Black in business : Panellist
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
