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2. Islands in the City: West Indian Migration to New York
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Foner,Nancy (Author)
- Format:
- Book, Whole
- Publication Date:
- 2001
- Published:
- Berkeley: University of California Press
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Notes:
- 304 p, Contents: pt. 1. Gender, work, and residence. Early-twentieth-century Caribbean women: migration and social networks in New York City / Irma Watkins-Owens ; Where New York's West Indians work / Suzanne Model ; West Indians and the residential landscape of New York / Kyle D. Crowder and Lucky M. Tedrow -- pt. 2. Transnational perspectives. Transnational social relations and the politics of national identity: an eastern Caribbean study / Linda Basch ; New York as a locality in a global family network / Karen Fog Olwig -- pt. 3. Race, ethnicity, and the second generation. "Black like who?" Afro-Caribbean immigrants, African Americans, and the politics of group identity / Reuel Rogers ; Growing up West Indian and African American: gender and class differences in the second generation / Mary C. Waters ; Experiencing success: structuring the perception of opportunities for West Indians / Vilna F. Bashi Bobb and Averil Y. Clarke ; Tweaking a monolith: the West Indian immigrant encounter with "Blackness" / Milton Vickerman ; Conclusion: Invisible no more? West Indian Americans in the social scientific imagination / Philip Kasinitz
3. Live & Kicking: Stop the New Slavery; Black culture's dependence on the body beautiful is nothing less than fascism
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Sewell,Tony (Author)
- Format:
- Newspaper Article
- Publication Date:
- 2001-01-15
- Published:
- London
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- The Voice
- Journal Title Details:
- 943 : 9
- Notes:
- The irony of the black man with his top off - such as almost any black music star you care to mention - is that it doesn't say to me: "Look at this wonderful black man with his six-pack." We were never wanted for our minds, which was why it was illegal to teach slaves to read. We were flesh, a commodity, labour. As today's black man shows off his pride and joy, the modern billboard becomes the equivalent of yesteryear's slave stocks. The tragedy with the flesh doesn't end there. Too many of us are impressed by a black fascism which fails to question the oppressive power structures of idealised family structures or the obsession with genes, blood and national pride.