The Mystic Revelation of Rastafari, a group of Nyabinghi ceremonial drummers founded by the legendary Count Ossie in the 1950s, is not only making its New York debut but is raising the curtain on the Lincoln Center for the Performing Arts' "Caribbean Roots: Caribbean Routes" festival. Chris Combette, who has been collaborating with Mungal Patasar on several tracks for his new album, opened the show with his beautiful fusion of Caribbean styles - samba, salsa, soca, bossa nova, reggae and zouk sweeping over the auditorium like warm waves. Based in French Guiana, bordering Brazil, Combette has soaked up the melodies of the region, while his lyrics address the nostalgia or alienation of the immigrant, and racist murder in the metropole. Beneath his sinuous, sometimes ethereal music lurked incisive Kwéyol irony and melancholy metaphors. It was left to Kali and his banjo to bring down the curtain on the festival with his brilliant reworking of Martiniquan traditional music, mazurk, biguine, chouval bwa, gwo ka (from Guadeloupe) with reggae, funk and jazz. It was good to hear St. Lucian Luther François, one of the Caribbean's foremost contemporary composers and sax players, adding punch to this excellent band and the finale of a significant festival for Caribbean music.
Talk to Richard Lue and it becomes clear that not nearly enough Caribbean people are heading `home'. Neither are enough African Americans trying to discover the Caribbean, although their connection with the culture has long been established in the U.S. That's why Lue was appointed Air Jamaica's regional manager for special markets in the southern U.S. Another Air Jamaica representative has been given similar responsibilities for the northern states. "It wasn't neglect," said Lue. "It just wasn't accountability. We've always been there. The problem was internally. We feel we can get more out of that (Caribbean) market." "To me it's no big deal," he said. "The problems in Jamaica are serious, but Jamaica has never been an easy sell. But it is a challenge. It is because of 9/11 that we realized we had to diversify our markets and give importance to all the markets. The challenge is there, but we just have to deliver."
Mocko Jumbie, as it is called in the Caribbean, has been a part of the Virgin Islands culture for more than 200 years. The phrase "Mocko Jumbie" may have different meanings according to the different tribes that practices the art. "Mocko" could mean "Mock" or it could mean "Good God."
There's tendency among some reggae fans to tune out most of today's dancehall deejays, dismissing them as untalented shysters. While that's an essentially justifiable reaction, there are deejays - mostly of the conscious variety - who are worthy of our attention. One in particular is Prezident Brown. Tune out his new release - To Jah Only - and you'll deprive yourself of a relevant body of work that's likely to sway and have you listening for more of this style. To Jah Only is a neat package that adroitly intertwines the traditional with the contemporary. The title track, which leads the album, gently combines slow guitar picks with Nyabinghi drumming, amid Brown's assiduous delivery of some trusty Rasta melodies. The familiar Duppy Conqueror rhythm by Bob Marley is acquired on In This Life, and it's superimposed with a message that counsels mankind about his covetous ways. This theme is also continued with Pomps and Pride. One of the livelier tracks is Micro Chip, and Brown does a nice job keeping pace with a very demanding tempo. But the strongest is undoubtedly Faith - an instant classic that unveils Brown's versatility and true talent. His encyclopedic expressionism sets him apart from the ordinary, and he's truly one of our best links between the past and the present. [Dean Fraser]'s latest album - Retrospect - is a delightfully appetizing reminiscence of classic hits that are masterfully reproduced for everyone's listening pleasure. With 12 tracks, this album takes you back to mento, through ska, roots, and up to the present.
"We're not a Jamaican station. We're not a Trinidadian station. We're not a Bajan [Barbadian] station. We're not an African-American station," [Carl Nelson] says of his station, which broadcasts from Davie, near Fort Lauderdale. "Our target audience is the entire Caribbean [community], and that includes second-generation Caribbean Americans and people [of other nationalities] who like Caribbean-American music." Nature of service "We don't see the radio as a juke box," he says. "We're here to serve the community and just because you put some music on the radio doesn't mean you're serving the community." "Everybody who's advertised with us has reported good results," he says. "That's because they're getting a mix of people. They [reach] people from all the different islands. They get African Americans. They get whites. For them [the advertisers]it's a plus."
Today, Grace, Kennedy & Company is aggressively moving forward to meet new goals with a range of policies and programs designed to ensure its pr-eminent position in both the Caribbean and the world. These efforts include an ambitious brand "re-launch" complete with new logo, vibrant new label designs, and a new advertising campaign driven by a positioning statement reinforcing the company's pre-eminence: "Grace Foods, Genuine Caribbean Taste. Enjoyed Worldwide." While its first priority will always be towards serving the nutritional needs of its Caribbean home and "family," Grace, Kennedy & Company has now embarked on an aggressive new push into another world market, with plans to expand its sales to West Indian "expatriates" living abroad, as well as to the burgeoning number of people everywhere who desire the genuine taste of the Caribbean. Thus, the re-launch of the Grace brand, as a true "world brand" began in May of this year with this new positioning line as its corner stone. The advertising campaign, crated in conjunction with Michigan based consultants Stone & Simons Advertising, includes an overall theme, "The New Face of Grace," designed to address the brand's new logo and labeling, as well as the new "faces" around the world who are choosing Grace Foods for their "Genuine Caribbean Taste."
Tanya Quintero, a light-skinned mulatta and prominent independent journalist in Havana, said she was not aware of racial discrimination until she had a daughter with darker skin the than she. Suddenly, some of her friends referred to her child with a Spanish phrase that literally translates as "sour or dark stomach" but figuratively is slang for "a child who comes out darker than her mother," she said. Lighter-skinned children later made fun of her daughter for being a "marron," brown. Also the millions of dollars in "remittances" that Cubans in the United States and elsewhere send their relatives back on the island very year reach few "black" Cubans because more than 90 percent of the exiles are "white." As a result, the long-standing economic gap between darker and lighter Cubans widens. I use quotation marks around "black" and "white" because the terms don't mean the same as they do in the United States, with our traditional "one-drop rule." Race in Cuba, as in the rest of Latin America, is somewhat fluid: You are pretty much what you say you are, even within the same family.
Another established Caribbean tradition runs counter to the claim that racism there is unusual and of recent origin. This is the tendency to account for a person's character by identifying the racial identity of that individual's parents. West Indians, quite spontaneously, account for each other's personality traits with statements such as "Well, after all, his father was white," or "His father was quite dark you know. In Guyana and Trinidad, one hears frequently that East Indians are by nature "cheap". Elsewhere, Syrians and Jews are, reportedly, successful merchants because of their "clannishness". The Caribs of Dominica are described as Creoles as "lazy drunkards", and the Caribs accuse Creoles of being "mean" and "immoral". Throughout the islands, Creoles who are dark are said to be less motivated for success, and those who are lighter are accused of being snobbish and too sober for their own good. Since independence, racial discrimination has been systemically condemned, and with a good deal of success. But racism (at least in the form of the belief that "once we know a person's racial background, we then know much about that persons' abilities and character traits,") is very much ingrained in the thinking of many West Indians. This style of racism has met with no effective challenge comparable to the American Civil Rights Movement of the 1960's. In the absence of racial segregation or the North American type of racial polarization, and with what scholars call the Caribbean "myth of racial harmony," most leaders throughout the region seldom address this insidious racism.
Jamaica's other medal winners included Veronica Campbell and Michael Frater, who earned a silver in the women's and men's 100 meters, respectively. St. Kitts and Nevis's Kim Collins won a bronze in the men's event as well. The Bahamas finished second and Jamaica third in the men's 4x400 meters relay to earn silver and bronze, respectively. Jamaica's women won a silver medal in that event, while Trinidad and Tobago won its only medal of the meet, a silver in the 4x100 meters for men. Cuba's Osleidys Menendez set a new world record in the women's javelin on her way to the gold medal. Cuba also won gold in the 800 meters for women, and silver medals in the men's and women's triple jump, men's high jump and women's hammer throw.
Each session runs for three to four weeks and involves two courses covering such topics as: English and the Caribbean Child; Arts and Culture in Trinidad and Tobago; Caribbean Dance; Caribbean History and Politics; Heritage Studies on Barbados; Caribbean Marine Environment; Gender in the Caribbean Society; Languages and Dialects of the Caribbean; and, Reggae, Rastafari and Jamaican Culture. Depending on the courses chosen, students may find themselves in Barbados, Jamaica or Trinidad and Tobago. However, Caribbean Marine Environment is a regional course which takes participants to at least two countries in the region. Accommodation is offered in the residence halls of each campus. [Summer] in any of the Caribbean islands presents a wonderful opportunity for participation in cultural activities. These include the various emancipation and independence celebrations, Crop Over (a Barbados carnival) and other festivals, including folk and popular music festivals such as Sumfest (Jamaica's largest reggae festival).
