Acc-, After the earthquake, I knew that not much would change in Haiti precisely because of the people's resilience. It was almost like a self-fulfilling prophecy. I knew that people would soon be going about their business as if nothing had happened. That's what scared me most for the future of Haiti. Soon after they could circulate through the rubbles in Haiti, Haitians were walking down the streets to their neighbors, some street merchants, were trying to sell the little bit they had from their businesses, children were still trying to wipe-clean cars for a few half pennies, "tap-taps" were fishing for people, etc. And that was life as they know it. That's life as those who can afford better think the people deserve and that's why not much is being done to make things closer to equality in Haiti.
Dr. [Alvin Curling], master of ceremonies, opened the celebration with "Still I Rise," a poem by Maya Angelou. The Canadian national anthem was sung by Tiffany Gooch followed by the singing of 'Lift Every Voice" by Jemini Campbell. Premier Kathleen Wynne said [Herb Carnegie]'s impact on the community was profound. She spoke of Alexander. Ontario's former lieutenant governor, who lived in his home for 48 years in Hamilton before passing away in 2012. She said the deed for the house read 'no Blacks or Jews shall live here'.
Traditional Maroon culture was, however, determined to be in need of safeguarding and protection because of several factors. Chief among these was the fact that transmission of traditional knowledge from elders to younger generations was not taking place on the scale it was used to and the fact that migration patterns saw large numbers of Maroon youth leaving the traditional sites of settlements. In response, UNESCO was petitioned to assist in safeguarding traditional Maroon culture in Jamaica, in particular, that of the Maroons of Moore Town, who were deemed to be the most remote. In November 2003, UNESCO declared the Maroon Heritage of Moore Town as a Masterpiece of the Oral and Intangible Heritage of Humanity. This action facilitated the implementation of measures geared toward documenting, for posterity, traditional Maroon cuisine, language, the Kromanti play and the craftsmanship associated with the creation of tools and implements such as their unique Prentin drum, fishpots, spears and the abeng.
