Who are they? [Raoul Peck] works primarily with an ensemble made up of [Sarah]'s family and members of the infamous TonTon Macoute. It's these men operating outside civilian and military law, who imbue "The Man By The Shore" with its thick taste of dread and fear. For it quickly becomes obvious that they can threaten, maim, even kill anyone at anytime for the least of slights. Janvier (Jean Michel Martial), the chief of the Macoutes here, wields unbridled power, making him one of the most fearsome screen villians in recent times. "The Man By The shore" combines the terror of the Duvalier regime and Haiti's natural beauty in a gripping story. Audiences may leave questioning whether it's better to remember or to forget!
What is Eiery Furnace Films? A film production company established by a group of Caribbean immigrants, predominantly Jamaicans, to produce community based films about the real Caribbean immigrant experience in this country. Their films portray the peoples' stories in an unrelenting honest and straight forward manner. Like the musical works of their courageous predecessor, Bob Marley, there is no "sugar coating" to the message of why people are struggling, as their lives are vividly portrayed on film. There is one industry always flourishing in the "ghetto" - that is the drug trade. Who profits from the drug trade? the big "drug lords," who live nowhere near the ghetto. If the only available jobs are those involved in the drug trade, that is what some people will go towards out of necessity. The majority of people don't get involved in all of that. They work very hard, many with two and three jobs, to support their children and send money home as well. Kevin Porter is a producer and writer with tremendous talents whose creative efforts are responsible for the publishing of "Inspirations of the God Within" (A Book of Classical Poems), and the production of "Rasta-Life and The Truth," an award winning film on the contributions and benefits of the Rastafarians.
Goodbye Mister Fish 'n' CHIPS: TV chef [Ainsley Harriott] is bringing the. joys of Caribbean cuisine to the nation "I love Caribbean cookery and I think it's very important to get that message across because a lot of Afro-Caribbean people have been living here for almost a generation now," says Ainsley, who lives in south London with his Yorkshire wife Claire and their children Jimmy, 6, and Madeleine, 3. Ainsley is to some the saviour we have been waiting for. The Good Food Show special events steward, Tony Wright, called him "phenomenal" staing: "That's the only word I can use. As soon as Ainsley did ackee and saltfish, I said, `Yes!'. He didn't do the traditional stuff. He did something Caribbean."
Watching Caryl Phillips' excellent The Final Passage was a difficult process. Not just because it was a brilliant exploration of the last 30 years or so, showing the achievements and limitations of the Windrush generation, but, more importantly, because it exposed how we have been starved of intelligent, well-made Black programmes which offer us the possibility of serious reflection on our condition in this country. Phillips achieves a wonderful thing in his drama - he converts all our individual stories of moving to Britain and setting up home into a mass celebration of common history. The Final Passage thus becomes a template of sorts of the recent beginnings of Black Britain. Whether we are from an African or Caribbean background, there were scenes and emotions which we all recognised from our own histories. Control Many people didn't like The Final Passage because they felt that it yet again reinforced the negative view of Black men. But they need to be reminded that this is a work of fiction, not reality. And Caryl Phillips' main achievement in the series is to give us, in [Michael], the first truly great tragic-heroic Black character on British television. The lessons of his life should resonate in our time - a sort of angled mirror. He will remain a constant reminder of the need to bury the `colonial creation' - the Black man who is only able to manifest himself through his dreams rather than through the reality of day-to-day action.
"Once again, WLIB's commitment to New York's African American and Caribbean communities has been confirmed. We have devoted significant air time to voter registration drives, Public Service Announcements and other programs specifically organized to motivate our listeners to vote," said Janie Washington, station manager.
On March 1st and 2nd, The Riverside Church will open its doors to metropolitan New Yorkers for a Haiti Festival - a cultural and spiritual celebration of Haiti. The "Haiti Festival" will kick off Friday, March 1st with a workship service and live performances by Haitian folk and roots musicians. The Festival will continue on Saturday as Riverside Church is transformed into a traditional Caribbean marketplace alive with the rhythms and folklore of Haiti.